{"id":62488,"date":"2018-02-07T09:03:00","date_gmt":"2018-02-07T09:03:00","guid":{"rendered":"https:\/\/bacc:8890\/archives\/publication\/the-exhibition-trung-mu-endless-sightless\/"},"modified":"2018-02-07T09:03:00","modified_gmt":"2018-02-07T09:03:00","slug":"the-exhibition-trung-mu-endless-sightless","status":"publish","type":"publication","link":"https:\/\/www.bacc.or.th\/en\/publication\/62488","title":{"rendered":"The exhibition Tr\u00f9ng m\u00f9 – endless, sightless"},"content":{"rendered":"

The exhibition Trùng mù – endless, sightless<\/h2>\n
Nguyen Phuong Linh. Through installation and videos artworks, attention is drawn to your eye line focus through both the brightening of reality and the dimming of various stories revealing how memory is a ghostly and shadowy presence. The artworks contain references as diverse as the remains of a catholic church in Northern Vietnam to the urban synthetic light used to dry pigment quickly in nail parlours. Interested in Vietnamese mythology, the artist used folklore premised on the idea that after death,ghosts never leave and remain anintegral part of the architectural fabric of a house. <\/p>\n

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