People's Gallery
THE PERFORMANCE ART Photo Document & Objects
By Mongkol Plienbangchang
Live Performance: 27 April 1013 : 5 pm.
The exhibition presents photographs and objects from Art Performance by Mongkol Plienbangchang , including the concept of the artist in the part and different areas expressive materials and equipment from the missions which the artist used to communicate a concept.
Mongkol is a painter, poet and performance artist from Thailand who has performed since 1995 and is part of the ASIATOPIA International Festival of Performance Art committee He has published 2 books of his poems ‘Inner & Outer’ and ‘The Man Number Zero’. He has performed in many performance art events & festivals, in NewYork, Poland, Thailand and around Asia.
‘The Language of Materials’ Artist Talk (part of THE PERFORMANCE ART Photo Document & Objects Exhibition)
Saturday 27th April 2013, 5 p.m. – 7 p.m.
People’s Gallery, 2nd Floor
By Chumpon Apisuk and Mongkol Plienbangchang, Moderated by Nopawan Sirivejkul
Live Art Performance by Mongkol Plienbangchang
Special Activity on Saturday 11th May 2013, 5.00 p.m. onwards (Experimental) Performance Art after mini-seminar by art students (part of THE PERFORMANCE ART Photo Document & Objects Exhibition)
Saturday 11th May 2013, 5.00 p.m. onwards
People’s Gallery, 2nd Floor
By Jittrakorn Kaewakho (Nakhon si Thammarat Rajabhat University), Pitchanan Sornyen (Silpakorn University), Ekkaluk Chainork (Silpakorn University)
Special Activity on Sunday 12th May 2013, 5.00 p.m. onwards (part of THE PERFORMANCE ART Photo Document & Objects Exhibition)
Sunday 12th May 2013, 5.00 p.m. onwards
People’s Gallery, 2 Floor, Bangkok Art and Culture Centre
Hiromi Shirai was born and lives in Kobe, Japan. She studied Fine Art at University of Wales Institute, Cardiff, and lived in Cardiff between 1992 – 1997. Since 1996 she has presented her performance internationally including at ASIATOPIA. Through her works, she observes questions and paradoxes of daily life in contemporary society. She expresses these observations often with irony and humor.
By Hiromi Shirai
